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Carlos Andres Dengler is an American musician, actor, composer, and writer. He has performed in regional theaters, appeared in various short films, and released three albums. His essays have appeared in n+1 and Tablet Magazine. He is the co-founder and former bassist and keyboardist for the rock music band Interpol.
He received a Bachelor's Degree in Philosophy at NYU College of Arts & Science and a Master of Fine Arts Degree from NYU Tisch School of the Arts.
He played an instrumental role in the success of the band Interpol, co-founding the group in the 1990s with Daniel Kessler, Paul Banks and Greg Drudy.
Dengler became a classically trained actor after leaving the band in 2010, and earned an MFA in Acting in 2015. He performed a one-person theatrical show at the New York International Fringe Festival in 2016.
He has written many personal essays, several of which have been published in literary journals.
He has also scored films, and released compositions of ambient and New Age music.
Dengler's trademark style is marked by grounded and stylized bass lines, strident staccato bursts, a clean tone brought about by his Fender Jazz Bass, and octave jumps, almost in a disco-like fashion. The low E string is lowered to D as the band writes many songs in the keys of D and B minor. One of his influences is the Joy Division/New Order bass guitarist Peter Hook. Like Hook, he also wears his bass guitar very low – often near knee level – and uses a pick to pluck the strings.
In addition to bass guitar, Dengler played keyboards in the studio. Until the band started hiring touring musicians in support of their first album, Turn on the Bright Lights, he played both instruments during live performances.
He was a regular on the Lower East Side party scene. In 2005, URB magazine put him on the cover with a headline reading "Interpol + The Cult of Carlos D". URB magazine. Total Recall: Carlos D. 2005. urb.com. Interviews tied in with the band's third album, Our Love to Admire, in 2007, however, marked a change in Dengler's attitude. Quotes from the time hint at a growing dissatisfaction with touring and the band in general. He described his switch from leather corset-belts, slicked hair, gun-holster and combat boots to bolo tie, waist coat, his natural curls and mustache as freeing: "Everyone stopped recognizing me on the street. I forgot what it's like just to be a normal person. It felt so good."Kadel, Greg, "The Ties that Bind", Spin magazine, August 2007
In May 2010, his departure was announced on the band's official website. The posting stated that he had participated in the writing and recording process for their fourth album, but would not be going forward with any other Interpol-related activities. A permanent replacement was not announced, only that multiple players would be taking his place on the 2010 tour.
Three months after Dengler left Interpol, the band revealed that he actually disliked playing bass guitar. Drummer Sam Fogarino stated that Dengler had grown tired of the instrument and of touring, and that it was neither his first instrument nor his instrument of choice.
The band chose not to officially replace Dengler, with David Pajo and later Brad Truax occupying the role of touring bass guitarist. For the writing and recording of Interpol's post-Dengler studio albums, Paul Banks occupied the role of bass guitarist. When asked if the band missed Dengler during a 2022 Reddit AMA, Banks stated: "He was difficult, but not too difficult. Total genius tbh."
He also worked with a mixture of classic synthesizer and orchestral emulations to generate arrangements for Interpol and for his scores.
Dengler has remixed songs for B-side releases including VHS or Beta's "Night on Fire", Nine Inch Nails's "Every Day is Exactly the Same" alongside Sam Fog (Interpol bandmate Sam Fogarino), and Interpol's own "Public Pervert".
After leaving Interpol in 2010, Dengler remained out of the public light for several years. In a 2015 interview, he stated that he had since completed a graduate degree in drama from the Tisch School of the Arts at NYU, and was pursuing acting professionally. In the time between Antics (2004) and Our Love to Admire (2007), Dengler took an interest in film composition and scoring. His work in this medium includes the animation project Love Letters for the Subway. He contributed underscoring to the piece "Katya and Josh Ain't Havin' It" to the HBO Voyeur Project.
In 2016, Dengler understudied for actor Josh Radnor at Lincoln Center Theater in a production of the Richard Greenberg play The Babylon Line. He also presented an autobiographical one-man show at the 2016 New York International Fringe Festival, Homo Sapiens Interruptus, which focused on his interest in heavy metal and paleoanthropology as well as revisiting his life leading up to and including his involvement with Interpol. That same year, he was a guest musician with The 8G Band on Late Night with Seth Meyers. In 2020, Dengler appeared in the short film, A 1984 Period Piece in Present Day.
Dengler's essays have been featured in n+1, the Mars Review of Books, and Tablet Magazine. In 2022 he contributed to the Rutgers University Press publication New Jersey Fan Club, writing about moving as a teenager from Queens, New York to Lawrenceville, New Jersey.
Dengler has self-released three albums as a composer of New Age/ambient music: Aqueduct and Ecospheres in 2022, Private Earth in 2023, and Parallel Streams in 2024.
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Categories: 1974 Births, American Rock Bass Guitarists, American People Of German Descent, American People Of Colombian Descent, Living People, Nightlife In New York City, New York University Alumni, Musicians From Queens, New York, American Remixers, St. Francis Preparatory School Alumni, Interpol Members, American Indie Rock Musicians, American Post-punk Musicians, Alternative Rock Bass Guitarists, Guitarists From New York, American Male Bass Guitarists, 21st-century American Bass Guitarists, 21st-century American Male Musicians
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